When I Learned That Harm Can Be Love

While painting some gutters,  a baby bird’s chirp caught my attention.  Not wanting to alarm him, I looked high and low for the nest but was unable to find it.

Repositioning my ladder, the chirps increased in volume and intensity.  Peering cautiously into the bush, I searched the shadows for him.  But what I meant as cautionary he perceived as a tactical threat.  Launching himself from his hiding place, and giving me a scare, the young sparrow flew away.

Only he was too young to fly.  So instead of reaching another bush and safety, he landed in the yard.  Dazed, he chirped repeatedly, no doubt calling to his parents for help.

Standing high on my ladder, I had the perfect assessment of his situation.  Not only was he out in the open and easy prey for the neighborhood cats, but he sat only a few feet away from a busy street.  I knew he couldn’t escape danger, and that it was impossible for his parents to help him, so I decided to make the rescue.

Hopping off my ladder, I grabbed an empty 1 gallon bucket to trap him, scoop him up and then set him free.  At least that was the plan.

But as I neared, he chirped and flapped and flitted away.  Once more, he presumed that my intention was harm when in reality I only wanted to rescue him.  And in fact, his efforts to escape were not only moving him toward the street, but were alerting the prowling cats.

Desperate, I crouched and crept closer.  And as quickly as I could, I dropped the bucket over him.

I could hear his wings fluttering against the bucket and his frantic chirps echoing within.  My heart broke.  I wished that I could speak “sparrow” and tell him that I had no intention of hurting him, and that this was the only way to rescue him, and that he was going to live, and that I would set him free in an even better place.

And it was at that moment that I better understood how God must “feel” trying to love me.  It’s not a perfect picture, but like the sparrow, in my attempts to find freedom apart from God, I’ve discovered gravity’s ruling hand and have landed in the middle of danger.  Likewise, I too interpreted his scooping “hand” as being hurtful and cruel.  But looking back, perhaps standing on a rung of life’s ladder, I see that it was the only way out, and what I defined as harm was in fact the most loving thing he could have done.

“Why’d You Shoot My Dog?”

Rounding the bend, I saw the sign and slowed my bike for a better look.  It was staked in the front yard of a gorgeous country home.  I often pass this idyllic neighborhood when cycling and dream of one day living out here.  A peaceful river gurgles on one side of the road; expensive homes sit on ten acre lots; Tennessee’s rolling hills paint a serene backdrop.

But then there was the sign.  Professionally made, it said something to the effect of, “To the person that shot my dog, could you please tell me why?”

My image of the perfect neighborhood was shattered.  Violence like this doesn’t…shouldn’t happen out in the country! This sorta thing happens in low-rent districts or trailer parks, NOT here.

But it did.  And judging by the tone of the sign, I imagined this dog to be a gentle creature, one that would wag his tail and lick you incessantly.  Sure, like many country dogs, he probably wandered off a bit too much.  But is that any reason to shoot him?

I biked past the same area yesterday.  The sign was gone.  But in reality, you can never remove a sign like this.  It will forever tarnish this quaint neighborhood with the image of a bullet, a dog, and the answer to its lingering question…

Evil lurks everywhere, even in pastoral settings like this.

Do you live life as a classicist or a jazzer?

Although I like to consider myself more of a “jazzer” (“able to improv through life”) than a “classicist” (“plays life like a score: no surprises & well-rehearsed”), when life doesn’t “work,” I quickly become a classicist.

Take this morning and my Jeep.  Please!  Take it!  Somewhere within its electrical system is a tiny wire or a little fuse that has decided to render the thing dead.

So at 6 AM, I began to improvise: juggling this person here to fulfill that need there, emailing so-and-so to ward off affecting you-know-who.  Plotting, planning, thinking, scheming…

Etc., etc., etc.

So as a “jazzer,” you’d think I’d love this early morning composition, which has been more like a frantic bebop piece than a cool ballad.  But I’m not.  No, I’m really, really not!  In fact, I wish my life was a classical score so I could go practice, nail my part, and bow to wondrous applause.

So how about you?

“Jazzer” or “classicist?”

Behind the Why

Are you curious why I write?  Have you ever wondered why I chose the fantasy genre?

Then go to Susan Heim’s blog to read the interview she did with me.