Even if you hate Country music, I think you’ll agree that the songwriter really hit the target…or a nerve!
I’ve had seasons when I was a carbon copy of this song. Sometimes I was the recipient. Other times I was the devil. As a writer, these emotions/experiences are a treasure chest for character development.
We all want it. We all crave it. But do we ever find it? In my journey, it’s taken a professional counselor to help me face the truth about myself. Such insight and discovery has not only freed me to be a better friend, husband and dad, but has empowered me as a writer when fleshing out my characters.
So when that guy or girl dumps you, don’t loose heart. Instead, turn them into a character and let ’em have it! 🙂
For those following the “300 x 2” FREE book, here’s the next installment.
Elabea darted away from her home, longing to escape her parents and more importantly, the shackles of the Oracles. She did not consider herself a rebel, or one brave enough to defy Ebon’s might. She simply hungered for two qualities her home and village could not provide.
Love and acceptance.
She glanced at the parchment clutched in her hand. The tingling sensation was gone, but the thought that it had been delivered from Claire sent goose bumps racing over her back. After all, she had been taught that Claire was destroyed in the Dark War, and that it was a land of death and deception. The parchment and the Moon King were proof otherwise.
As she ran, she took in the cottages of Hetherlinn. Constructed from planed boards, they were stained white while the windows, of which there were only two, were sealed with dark green shutters. Thatched roofs sloped off the quaint two story dwellings and nearly touched the ground. However, the most notable feature was the numbers above the unpainted doors. Black stain, sloppily brushed by Ebonite warriors, numbered each cottage.
Another requirement from the Oracles so Ebon can tally us like cows!
Hers was Number 17 and sat at the bottom of the crescent. She liked being far away from the others, especially when her father had had too much wildeberry wine.
Another glance. Another painted number.
She recalled seeing a young boy, Phinnton, peering at her from his bedroom window. She would wave, but he was too shy, and would dart back into the shades.
At night, the sweet refrains sung by Phinnton’s mother floated like a dream into her bedroom. She would open her shutters and rest on her window frame, soaking up the musical serenade. Every now and then, when the wind was blowing her way, she would catch some of the lyrics.
The Singing Stones of Addoli, she reflected. How I wish I knew what that meant…
Several summers ago, the singing stopped. Elabea assumed the boy was older and grew tired of bedtime lullabies. A rumor spread that she had been whisked away one night by the Ebonites for violating an Oracle. From that day forth, Phinnton and his father became hermits.
I've played bass for Shania Twain, had a black rhino charge me while on safari, and I've been in the Oval Office. In high school, I went backstage to interview groups like Bob Seger, Rush and Kansas, sorta like "Almost Famous" but without Kate Hudson! As an author, I draw from all these experiences (and then some) when crafting my stories. The quote that sums me up the best is by G.K. Chesterton: "Nay, the really sane man know that he has a touch of the madman." I'm married, the father of four wonderful children, and a proud grandfather. I currently live near Nashville, TN where I write, bike and am always on the prowl for adventure and stories.